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Clemen W. Originalitat und Tradition in der englischen Dichtungsgeschichte. — Munchen, 1978.

Cullen P. Spenser, Marvell and Renaissance pastoral. — Cambridge (Mass.), 1970.

Danby J. F. Poets on Fortune’s Hill: Studies in Sidney, Shakespeare, Beaumont and Fletcher. — London, 1952.

Elizabethan poetry. — London, 1960.

Galm J. A. Sidney’s Arcadian poems. — Salzburg, 1973.

Genony H. L’Arcadia de Sidney dans ses rapports avec l’Arcadia de Sannazaro et la Diana de Montemayor. — Paris, 1928.

Grundy J. The Spenserian poets: A study of Elizabethan and Jacobean poetry. — London, 1969.

Howell R. Sir Philip Sidney: The shepherd knight. — London, 1968.

Johnson R. C. George Gascoigne. — New York, 1972.

Kalstone D. M. Sidney’s poetry: Contexts and interpretations. — Cambridge, 1965.

Kimbrough R. Sir Philip Sidney. — New York, 1971.

Lawry J. S. Sidney’s two Arcadias: Pattern and proceeding. — Ithaca, 1972.

Lever J. W. The Elizabethan love sonnet. — 2nd ed. — London, 1966.

Partridge A. C. The language of Renaissance poetry: Spenser, Shakespeare, Donne, Milton. — London, 1971.

Peterson D. L. The English lyric from Wyatt to Donne: A history of the plain and eloquent styles. — Princeton (N. J.), 1967.

Phillips J. E., Allen D. C. Neo-Latin poetry on the sixteenth and seventeenth centuries. — Los Angeles, 1965.

Seiden R. English verse satire, 1500–1765. — London, 1978.

Weiner A. D. Sir Philip Sidney and the poetics of Protestantism: A study of contexs. — Minneapolis, 1978.

Проза

Стороженко Н. Роберт Грин, его жизнь и произведения. — М., 1878.

Child C. G. John Lyly and euphuism. — Leipzig, 1894.

Crane W. G. Wit and rhetoric in the Renaissance: The formal basis of Elizabethan prose style. — New York, 1937.

Davis W. R. Idea and act in Elizabethan fiction. — Princeton, 1969.

Dent R. John Webster’s borrowing. — Berkeley, 1960.

Elizabethan fiction / Ed. by R. Ashley, E. M. Moseley. — San Francisco, 1953.

Feuillerat A. John Lyly: Contribution a l’histoire de la Renaissance en Angleterre. — Cambridge, 1910.

Garke E. The use of songs in Elizabethan prose fiction. — Bern, 1972.

Harman E. G. Gabriel Harvey and Thomas Nashe. — London, 1923.

Helgerson R. The Elizabethan prodigals. — Berkeley, 1976.

Hibbard G. R. Thomas Nashe: A critical introduction. — London, 1962.

Hornat J. Anglicka renesancni prosa: Eufuisticka beletrie od Pettieho Pelace Potechy do Greenova Pandosta / Renaissance prose in England: Euphuistic fiction from Pettie’s «Palace of pleasure» to Greene’s «Pandosto». — Prague, 1970.

Howarth R. G. Two Elizabethan writers of fiction: Thomas Nashe and Thomas Deloney. — Cape Town, 1956.

Jordan J. C. Robert Green. — New York, 1965.

Krapp G. P. The rise of English literary prose. — New York, 1915.

Lawlis M. E. Apology for the middle class: The dramatic novels of Thomas Deloney. — Bloomington, 1960.

Liljegren S. B. Studies on the origin and early tradition of English Utopian fiction. — Uppsala; Copenhagen, 1961.

MacCarthy B. G. Women writers: Their contribution to the English novel, 1621–1744. — Cork, 1944.

Mills L. J. One soul in bodies twain: Friendship in Tudor literature and Stuart drama. — Bloomington (Ind.), 1937.

Paradise N. B. Thomas Lodge: The history of an Elizabethan. — New Haven, 1931.

Pruvost R. Robert Greene et ses romans (1558–1592): Contribution a l’histoire de la Renaissance en Angleterre. — Paris, 1938.

Rae W. D. Thomas Lodge. — New York, 1967.

Randall D. B. J. The golden tapestry: A critical survey of non-chivalric Spanish fiction in English translation (1543–1657). — Durham, 1963.

Schlauch M. Antecedents of the English novel, 1400–1600: (from Chaucer to Deloney). — London, 1963.

Tannenbaum S. A. John Lyly: A concise bibliography. — New York, 1940.

Tenney E. A. Thomas Lodge. — Ithaca, 1935.

Toliver H. E. Pastoral forms and attitudes. — Berkeley, 1971.

Vickers B. Frances Bacon and Renaissance prose. — London, 1968.

Whiteford R. W. Motives in English fiction. — New York, 1918.

Wilson J. D. John Lyly. — Cambridge, 1905.

Драматургия

Мюллер В. К. Драма и театр эпохи Шекспира. — Л., 1925.

Парфенов А. Т. Кристофер Марло. — М., 1964.

Стороженко К. Предшественники Шекспира. — СПб., 1872. — Т. 1. Лили и Марло.

Appleton W. W. Beaumont and Fletcher: A critical study. — London, 1956.

Bakeless J. The tragical history of Christopher Marlowe: 2 vol. — Cambridge (Mass.), 1942.

Bevington D. M. From Mankind to Marlowe: Growth of structure in the popular drama of Tudor England. — Cambridge (Mass.), 1962.

Bradbrook M. C. A history of Elizabethan drama: 2 vol. — Cambridge, 1979.

Breuer H. Vorgeschichte des Fortschritts: Studien zur Historizitat und Aktualitat des Dramas der Shakespearezeit, Marlowe, Shakespeare, Jonson. — Munchen, 1979.

Brooke C. J. T. The Tudor drama. — Boston, 1911.

Brooke R. John Webster and the Elizabethan drama. — New York, 1916.

Chambers E. K. The Elizabethan stage: 4 vol. — Oxford, 1923.

Cone M. Fletcher without Beaumont: A study of the independent plays of John Fletcher. — Salzburg, 1976.

Edwards P. Threshold of a nation: A study in English and Irish drama. — Cambridge, 1979.

Eliot T. S. Essays on Elizabethan drama. — New York, 1956.

Elizabethan drama: Modern essays in criticism / Ed. by R. J. Kaufmann. — Oxford, 1961.

Elizabethan theatre. — London, 1966.

Forsythe R. St. The relation of Shirley’s plays to the Elizabethan drama. — New York, 1914.

Freeman A. Thomas Kyd: Facts and problems. — Oxford, 1967.

Hazlitt W. Lectures chiefly on the dramatic literature of the age of Elizabeth. — London, 1820.