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Kneller Godfrey. Portrait of Sir Christopher Wren. Painting, oil on canvas, 1711.

Kneller Godfrey. Portrait of Sir Isaac Newton. Painting, oil on canvas, feigned oval, 1702.

Mierevelt Michiel Jansz, van. Anatomy lesson of Dr. Willem van der Meer. Painting, oil on canvas, 1617.

Mytens Daniel. Portrait of William Harvey. Painting, oil on canvas, circa 1627.

Neck Jan, van. De anatomische les van Dr. Frederick Ruysch. Painting, oil on canvas, 1686.

Marshall William (printmaker). Portrait of Francis Bacon, the philosopher, seated at a table writing in a book, wearing hat and medal; the frontispiece to his “Advancement of Learning”. Engraving, 1640.

Rembrandt Harmensz van Rijn. Anatomiese les van Dr. Nicolaes Tulp, 1632, Mauritshuis, Den Haag.

Smith John, after Sir Godfrey Kneller. Portrait of Sir Christopher Wren. Bt mezzotint, 1713 (1711).

Testelin Henri. Colbert pr'esentant а Louis XIV les membres de lAcad'emie royale des Sciences. Ch^ateau de Versailles. Painting, circa 1667.

Th'evet Andr'e. Cardinal Pierre dAilly, archev^eque de Cambrai, grand pr'ev^ot de Saint-Di'e // Thevet Andr'e. Vrais portraits et vies des hommes illustres: 9 vols, 1584.

Unknown artist, after Peter Lely. Portrait of Dr William Harvey. Painting, oil on canvas, ca. 1660s-1670s.

Unknown artist, after Johann Kerseboom. Portrait of Robert Boyle. Painting, oil on canvas, circa 1689–1690.

Unknown artist. Dispute of Theologus and Astronomus: Pierre d'Ailly (Petrus de Alliaco). Engraving. Augsburg: Erhardus Ratdolt 1490. P. a lv.

Unknown artist. Portrait of Pierre d'Ailly, Cardinal de Cambrai. Engraving. XVIIIe s. Copy Picart de B., 1713.

Unknown artist. Portrait of Johannes St"offler. Engraving, 1630.

Unknown artist. Portrait of Francis Bacon, Viscount St Alban. Painting, oil on canvas, after 1731 (circa 1618).

Unknown artist. Portrait of Johannes Kepler. Painting, oil on canvas, circa 1620.

Unknown artist. Portrait of John Dee. Painting, oil on canvas, 1594?

Unknown artist. Portrait of Nicolaus Copernicus. Before 1668. Engraving, copper. The Kornik Library of the Polish Academy of Sciences, collection of graphics. Cat. no. A XXVI 2185.

Unknown artist. Portrait of Sir Isaac Newton. Studio of Enoch Seeman. Painting, oil on canvas, circa 1726.

Vertue George, after Johann Kerseboom. Portrait of Robert Boyle. Engraving, 1739.

Adamson I. R. The Administration of Gresham College and its Fluctuating Fortunes as a Scientific Institution in the Seventeenth Century // History of Education. 1980. No. 9. P. 13–25.

Adamson I. R. The Royal Society and Gresham College 1660–1711 // Notes and Records of the Royal Society of London. 1978. Vol. 33 (1).

Alden R. M. The Lyrical Conceits of The Elizabethans // SP. 1917. No. 14. P. 129–152.

Allen D. C. Mysteriously Meant: The Rediscovery of Pagan Symbolism and Allegorical Interpretation in the Renaissance. Baltimore: Johns Hopkins University Press, 1970.

Applied Ethics in Animal Research: Philosophy, Regulation, and Laboratory applications / J.P. Gluck, T. Di Pasquale, F.B. Orlans (eds). West Lafayette, Indiana: Purdue University Press e-books OLD, 2002.

Apt A. J. The Reception of Kepler's Astronomy in England: 1596–1650. Oxford: Oxford University Press, 1982.

Babb L. Melancholy and the Elizabethan Man of Letters // HLQ. 1941. April. P. 247–261.

Badcock A. W. Physical Optics at the Royal Society 1600–1800 // The British Journal for the History of Science.1962. No. 1. P. 99–117.

Baird-Badinger A. The State of Letters: Meaty Close Readings // Essays and Studies in Literary Criticism. 2001. Vol. 10. No. 2. P. 209–222.

Bald R. C. John Donne. A Life. NY.; Oxford: Oxford University Press, 1970.

Barbour R. Between Atoms and the Spirit: Lucy Hutchinson's Translation of Lucretius // Renaissance Papers. 1994. P. 1–16.

Barbour R. English Epicures and Stoics: Ancient Legacies in Early Stuart Culture. Amherst: University of Massachusetts Press, 1998.

Barbour R. Lucy Hutchinson, Atomism, and the Atheist Dog // Women, Science and Medicine 1500–1700 / L. Hunter, S. Hutton (eds). Stroud: Sutton Publishing, 1997. P. 122–137.

Battigelli A. M. Margaret Cavendish and the Exiles of the Mind. Lexington: University Press of Kentucky, 1998.

Baumgaertner J. “Harmony” in Donne's “La Corona” and “Upon the Translation of the Psalms” // JDJ. 1984. Vol. 3. No. 2. P. 141–156.

Before Newton: The Life and Times of Isaac Barrow / M. Feingold (ed.). Cambridge: Cambridge University Press, 1990.

Bertuol R. The Square Circle of Margaret Cavendish: The 17th-Century Conceptions of Mind by Means of Mathematics // Language and Literature. 2001. Vol. 10. No. 1. P. 21–39.

Biagioli M. The Social Status of Italian Mathematicians // History of Science. 1989. Vol. XXVIII. P. 41–95.

Boner P. J. Kepler's Living Cosmology: Bridging the Celestial and Terrestrial // Centaurus. 2006. No. 48. P. 32–39.

Bossy J. Giordano Bruno and the Embassy Affair. L.: Vintage, 1992.

Bourdieu P. Homo Academicus. Stanford: Stanford University Press, 1988.

Bryan N. S. Gooch. Music for Donne // JDJ. 1996. Vol. 15. P. 171–188.