ЖАНРЫ

Свободное движение и пластический танец в России

Сироткина Ирина Вадимовна

Шрифт:

Ruggiero E. Alexander Rumnev and the new dance // Experiment. 1996. Vol. 2. Р. 221–228.

Rumnev A. Before me moves the past… // Experiment. 1996. Vol. 2. Р. 229–239.

Ruyter N.L.C. Antique longings: Genevieve Stebbins and American Delsartean performance // Corporealities: Dancing Knowledge, Culture and Power. London and New York: Routledge, 1996. Р. 70–89.

Ruyter N.L.C. The Cultivation of Body and Mind in Nineteenth-Century American Delsartism. Westwood, CT: Greenwood Press, 1999.

Die Sacharoffs: Two Dancers within the Blaue Reiter Circle / Ed. F.-M. Peter, R. Stamm. K"oln: Wienand Verlag, 2003.

Sachs C. World History of the Dance / Transl. B. Schoenberg. New York: Bonanza Books, 1937.

Sakharoff A. Reflexions sur la musique et sur la dance. Buenos-Aires: Editorial Viau, 1943.

Salzmann J. de. Behind the Visible Movement. Quotations as Recollected by Her Pupils / Gurdjieff Electronic Publishing [электронный текст, URL: Spring 2002 Issue, Vol. V (1)].

Schwartz 'E. Isadora Duncan, chor'egraphe pionni`ere et la transmission de la danse // Isadora Duncan 1827–1927: une sculpture vivante. Paris: Mus'ee Bourdelle, 2009. P. 37–45.

Segonzac A.D. de. XXX dessins. Nus. Isadora Duncan. Ida Rubinstein. Boxeurs. Paris: 'Editions du Temps, [1913].

Shapin S. and Schaffer S. Leviathan and the Air-Pump: Hobbes, Boyle and the Experimental Life. Princeton: Princeton U.P., 1985.

Sheets-Johnstone M. The Phenomenology of Dance. New York: Books for Libraries, 1980.

Sinclair F.R. Without Benefit of Clergy. Bloomington, IN: Xlibris corporation, 2005.

Sirotkina I. La danse et l’opposition «naturel-artificiel» // Pour l’Histoire des Siences de l’Homme. Bulletin de la SFHSH. 2007. № 31. P. 9–18.

Sirotkina I. The ubiquitous reflex and its critics in post-revolutionary Russia // Berichte zur Wissenschaftsgeschichte. 2009. Vol. 32. Issue 1. Р. 70–81.

Smith R. “The sixth sense”. Part I: The empiricist background to the muscular sense; Part II: The physiological and psychological understanding of kinaesthesia // Gesnerus (в печати).

Snyder J. Visualization and Visibility // Picturing Science, Producing Art / Ed. C.A. Jones, P. Galison, A. Slaton. New York: Routledge, 1998. P. 379–400.

Soupault P. Terpsichore. Arles: Actes Sud-Papiers, 1986.

Splatt C. Isadora Duncan and Gordon Craig: The Prose and Poetry of Action. San Francisco: The Book Club of California, 1988.

Steegmuller F. “Your Isadora”: The Love Story of Isadora Duncan and Gordon Craig Told through Letters and Diaries. New York: Vintage Books, 1976.

Stites R. Revolutionary Dreams: Utopian Vision and Experimental Life in the Russian Revolution. New York: Oxford U.P., 1989.

Strigalev A. Alexandra Korsakova-Rudovich // Experiment. 1996. Vol. 2. P. 241–251.

St"udemann N. Roter Rausch? Isadora Duncan, Tanz und Rausch im ausgehenden Zarenreich und der fr"uhen Sowjetunion // Rausch und Diktatur: Inszenierung, Mobilisierung und Kontrolle in totalit"aren Systemen / Ed. A. von Klimo and M. Rolf. Frankfurt: Campus Verlag, 2006. Р. 95–117.

Surits E. Russian dance studios in the 1910-1920s // Experiment. 2004. Vol. 10. Р. 85–95.

Surits E. Studios of plastic dance // Experiment. 1996. Vol. 2. Р. 143–167.

Suquet A. Sc`enes. Le corps dansant: un laboratoire de la perception // Histoire du corps. Vol. 3: Les mutations du regard. Le XXe si`ecle / Dir. J.-J. Courtine. Paris: 'Ed. du Seuil, 2005. Р. 393–415.

Szeemann H. Monte Verit`a // ^Etre ensemble. Figures de la communaut'e en danse depuis le XXe si`ecle / Dir. Claire Rousier. Pantin: Centre national de la danse, 2003. P. 17–40.

Tels E. Le syst`eme du geste selon Francois Delsarte // Archives Internationales de la danse. 1935. № 5. Р. 6–7.

Thrift N. The still point: Resistance, expressive embodiment and dance // Geographies of Resistance / Ed. S. Pile and M. Keith. London and New York: Routledge, 1997. Р. 124–151.

Toepfer K. Empire of Ecstasy: Nudity and Movement in German Body Culture, 1910–1935. Berkeley: U. of California P., 1997.

Toepfer K. Major theories of group movement in the Weimar Republic // Experiment. 2004. Vol. 10. P. 187–216.

Tomko L. Dancing Class: Gender, Ethnicity and Social Divides in American Dance, 1890–1920. Bloomington: Indiana U.P., 1999.

T"onnies F. Gemeinschaft und Gesellschaft. Leipzig: Fues’s Verlag, 1912.

Tsivian Y. The tango in Russia // Experiment. 1996. Vol. 2. P. 307–335.

Vaccarino E. Enrico Prampolini and avant-garde dance: The luminous stage of Teatro della Pantomima Futurista, Prague-Paris-Italy // Experiment. 2004. Vol. 10. P. 171–186.

Veroli P. Alexander Sacharoff as Symbolist dancer // Experiment. 1996. Vol. 2. P. 41–54.

Veroli P. I Sakharoff. Un mito della danza. Bologna: Edizioni Bora, 1991.

Verri`ele P. La Muse de mauvaise r'eputation: Danse et 'erotisme. Paris: La Musardine, 2006.

The Vision of Modern Dance: In the Words of Its Creators / Ed. J.M. Brown, N. Mindlin and C.H. Woodford. London: Dance Books, 1998.

Villaret S. Histoire du naturisme en France depuis le si`ecle des Lumi`eres. Paris: Vuibert, 2005.

Voskresenskaia N. Lev Lukin and the Moscow Free Ballet // Experiment. 1996. Vol. 2. Р. 201–219.

Williams D. Anthropology and the Dance. Ten Lectures. 2nd ed. Urbana and Chicago: University of Illinois Press, 2004.

Windholz G. Emmanuil S. Enchmen: А Soviet behaviorist and the commonality of «Zeitgeist» // The Psychological Record. 1995. Vol. 45. Р. 517–533.

Список сокращений

ГЦТМ – Государственный центральный театральный музей им. А.А. Бахрушина.

РГБ – Российская государственная библиотека.

РГАЛИ – Российский государственный архив литературы и искусства.

ЦМАМЛС – Центральный московский архив-музей личных собраний.

Experiment – Experiment/Эксперимент. A Journal of Russian Culture.

Поделиться с друзьями: