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Alexander Pope / Ed. P. Dixon. — L., 1972.

The art of Jonathan Swift / Ed. C. T. Probyn. — L., 1978.

Ball J. E. Swift’s verse. — N. Y., 1970.

Brower R. A. Alexander Pope: The poetry of Allusion. — Oxford, 1959.

Brownell M. B. Alexander Pope and the arts of Georgian England. — Oxford, 1978.

Bruneteau C. John Arbuthnot (1667–1735) et les idees au debut du dix — huitieme siecle: In 2 vol. — Lille, 1974.

Carnochan W. B. Lemuel Gulliver’s mirror for man. — Berkeley; Los Angeles, 1968.

Clark J. R. Form and frenzy in Swift’s «Tale of a tub». — Ithaca; L., 1970.

Collins J. C. Jonathan Swift: a biographical and critical study. — L., 1893.

Craik H. The life of Jonathan Swift: In 2 vol. — L., 1969.

Davis H. The satire of Jonathan Swift. — N. Y., 1947.

Dennis J. The age of Pope. (1700–1744). — L., 1901.

Dobree B. Alexander Pope. — L., 1963.

Donoghue D. Jonathan Swift: a critical introd. — N. Y.; L., 1959.

Ehrenpreis J. Swift: the man, his works, and his age: In 2 vol. — L., 1964.

Fabrikant C. Swift’s landscape. — Baltimore; L., 1982.

Flaser G. S. Alexander Pope. — L., 1978.

Gilbert J. G. Jonathan Swift: Romantic and cynic moralist. — Austin; L., 1966.

Gurr E. Pope. — Edinburgh, 1971.

Hatfield G. W. Henry Fielding and the language of irony. — Chicago; L., 1968.

Horne T. A. The social thought of Bernard Mandeville: Virtue and commerce in early eighteenth — century England. — L.; Bazingstoke, 1978.

Irving W. H. John Gay: favorite of the wits. — Durham, 1970.

Johnson M. The sin of wit: Swift as a poet. — Ann Arbor, 1966.

Levine G. R. Henry Fielding and the dry mock: a study of the Techniques of irony in his early works. — The Hague, 1967.

Monro H. The ambivalence of Bernard Mandeville. — Oxford, 1975.

Parkin R. P. The poetic workmanship of Alexander Pope. — N. Y., 1966.

Reeves F. The reputation and writings of Alexander Pope. — L., 1976.

Rogers R. W. The major satires of Alexander Pope. — Urbana, 1955.

Rowse A. L. Jonathan Swift: major prophet. — L., 1975.

Schakel P. J. The poetry of Jonathan Swift: allusion and the development of a poetic style. — Madison (Wis.), 1978.

Schultz W. E. Gay’s «Beggar’s opera»: its content, history and influence. — N. Y., 1967.

Spacks P. M. An argument of images: the poetry of Alexander Pope. — Cambridge, 1971.

Spacks P. M. John Gay. — N. Y., [1965].

Stephen L. Alexander Pope. — L., 1909.

Stephen L. Swift. — N. Y., 1902.

Twentieth — century interpretation of Gulliver’s travels: A coll. of critical essays. — Englewood Cliffs (N. J.), 1968.

Williams K. Jonathan Swift. — L., N. Y., 1968.

Zirker M. P. Fielding’s social pamphlets. — Berkeley, 1966.

Просветительский роман. Дефо. Ричардсон. Филдинг. Смоллет

Аникст A. A. Даниель Дефо: Очерк жизни и творчества. — М., 1957.

Елистратова А. Фильдинг: Критико — биогр. очерк. — М., 1954.

Нерсесова М. А. Даниель Дефо. — М., 1960.

Соколянский М. Г. Творчество Генри Фильдинга: Кн. очерков. — Киев, 1975.

Урнов Д. М. Дефо. — М., 1978.

Шкловский В. Б. Английский классический роман. — В кн.: Шкловский В. Б. Повести о прозе. М., 1966, т. 1, с. 203–324.

Alter R. Fielding and the nature of the novel. — Cambridge (Mas.), 1968.

Auty S. G. The comic spirit of the eighteenth — century novels. — Port Wash., L., 1975.

Ball D. L. Samuel Richardson’s theory of fiction. — The Hague; P., 1971.

Battestin M. C. The moral basis of Fielding’s art: A study of Joseph Andrews. — Middletown (Conn.), 1959.

Bearley J. C. Novels of the 1740s. — Athens, 1982.

Bouce P. G. Les romans de Smollet. — P., 1971.

Braudy L. Narrative form in history and fiction: Hume. Fielding Gibbon. — Princeton (N. J.), 1970.

Brophy E. B. Samuel Richardson: The triumph of craft. — Knoxville, 1974.

Bruce D. Radical doctor Smollet. — L., 1964.

Defoe: The critical heritage / Ed. P. Rogers. — L., 1972.

Dobson A. Fielding. — L., 1909.

Ducrocq J. Le theatre de Fielding: Les debuts de la creation litteraire (1728–1737): These… — Lille, 1973.

Earle P. The world of Defoe. — L., 1976.

Giddings R. The tradition of Smollet. — L., 1967.

Gondebeand L. Le roman «picaresque» anglais, 1650–1730: These… — Lille, 1979.

Grant D. Tobias Smollet: A study in style. — Manchester, 1977.

Harrison B. Henry Fielding’s Tom Jones: The novelist as moral philosopher. — L., 1975.

Hatfield G. W. Henry Fielding and the language of irony. — Chicago; L., 1968.

Henry Fielding: The critical heritage / Ed. R. Paulson, T. Lockwood. — L.; N. Y., 1969.

Hunter J. P. The reluctant pilgrim: Defoe’s emblematic method and quest for form in «Robinson Crusoe». — Baltimore, 1966.

Hutckens E. N. Irony in Tom Jones. — Univ. Ala., 1965.

Irwin M. Henry Fielding: The tentative realist. — L.; Oxford, 1967.

James E. A. Daniel Defoe’s many voices: a rhetorical study of prose style and literary method. — Amsterdam, 1972.

Karl J. R. The adversary literature: The English novel in the 18th century: a study in genre. — N. Y., 1974.

Kinkead — Weekes M. Samuel Richardson: Dramatic novelist. — L., 1973.

Koningsberg I. Samuel Richardson and the dramatic novel. — Lexigton, 1968.

Levine G. R. Henry Fielding and the dry mock: A study of the Techniques of irony in his early works. — The Hague; P., 1967.

Macallister H. Fielding. — N. Y., 1971.

Maresca Т. Е. Epic to novel. — Columbus, 1974.

Minto W. Daniel Defoe. — L., 1909.

Moore J. R. Daniel Defoe, citizen of the modern world. — Chicago, 1958.