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VoL X contains: Bella Ciao, La Guerre de Mille ArtsVoL XIcontains: Ld Tour de Babel, La Marche Royak, Une Orange sur к Mont de Vfaus, La Gloire en ImagesVol. ХП contains: Vole-moi un Petit Millard, Le Pastaga des Loups ou Ouverture Orang-Outan, Punk et Punk et CoUgramPlays not included in the collected Theatre: Sur к Fil, Jeunes Bar- bares d’Aujourd’hui

ON ARRABAL

Gille, Bernard, Fernando Arrabal,Paris: Seghers, 1970 morrissbtt, ann, ‘Dialogue with Arrabal’, New York: Evergreen Review,no. ij, November-December i960 schiirbs, alaih, Entretiens avec Arrabal,Paris: Pierre Belfond, 1969 sbrreau, Genevieve, ‘Un nouveau style comique: Arrabal’,Paris: Les Lettres Nouvelks,no. 65, November 1958 (trans. New York: Evergreen Review,no. 15, November-December i960)

BECKETT, SAMUEL PLAYS

En Attendant Godot,Paris: Editions de Minuit, 195a (trans. by author, Waiting for Godot— U.S. edition, New York: Grove Press, 1954; English edition, London: Faber Faber, 1955)

Fin de Partie, suivi de Acte Sans Paroles,Paris: Editions de Minuit, 1957 (trans. by author, Endgame, followed by Act Without Words —U.S. edition, New York: Grove Press, 1958; English edition, London: Faber Faber, 1958)

All That Fall,London: Faber Faber, 1957 [U.S. edition, see below]

BIBLIOGRAPHY

Krapp’s Last Tape and Embers,London: Faber Faber, 19J9 Krapp’s Last Tape and Other Dramatic Pieces,New York: Grove Press, i960, contains Krapp’s Last Tape, All That Fall, Embers, Act Without Words I, Act Without Words II Happy Days,New York: Grove Press, 1961 (trans. by author, Oh les Beaux Jours,Paris: Editions de Minuit, 1963)

Play and Two Short Pieces for Radio,London: Faber Faber, 1964, contains: Play, Words and Music, Cascando(trans. by author) Comidie et Actes Divers,Paris: Editions de Minuit, 1966, contains: Comidie (Playtrans. by author); Va et Vient, Dramaticule (Come and Gotrans. by author); Cascando, Piice radiophoniquepour musique et voix; Paroles et Musique, Piece radiophonique (Words and Musictrans. by author); Dis Joe, Piece pour la tiUvision (Eh Joetrans. by author); Acte Sans Paroles II, pour deux personnages et un aiguillon (Act Without Words IItrans. by author)

Come and Go(English original) first published in Samuel Beckett, Aus einem aufgegebenen Werk und kurze Spiele(a collection of short prose works and plays in the original language and German trans.), Frankfurt: Suhrkamp, 1966 (no. 145 in ‘Edition Suhrkamp'); separate publication, London: Calder Boyars, 1967 Eh Joe and Other Writings,London: Faber Faber, 1967, contains Eh Joe, Act Without Words II, Film Breath and Other Shorts,London: Faber Faber, 1971, contains: Breath, Come and Go, Act Without Words I, Act Without Words II, From an Abandoned Work Not I,London: Faber Faber, 197З Footfalls,London: Faber Faber, 1976 That Time,London: Faber Faber, 1976

End and Odds. Plays and Sketches,London: Faber Faber, 1977. contains: Not I, That Time, Footfalls, Ghost Trio,… but the clouds…, Theatre I, Theatre II, Radio I, Radio II Film. Complete Scenario; Illustrations; Production shots,New York: Grove Press, 1969

NARRATIVE PROSE

More Pricks than Kicks,London: Chatto Windus, 1934; one story, ‘Dante and the lobster’, New York: Evergreen Review,I, I

BIBLIOGRAPHY

Murphy,London: Roudedge, 1938; new edition, New York: Grove Press, n.d.

Watt,Paris: Olympia Press, 1958 Molby,Paris: Editions de Minuit, 1951 Malone Meurt,Paris: Editions de Minuit, 1951 L’Innommable,Paris: Editions de Minuit, 1953 Three Novels,London: Calder, 1959. contains: Molloy,trans. by Patrick Bowles, Malone Diesand The Uniumable,trans. by author Nouvelles et Textes pour Riot,Paris: Editions de Minuit, 1955 (a story trans. by Richard Seaver and author, ‘The end’, New York: Evergreen Review,no. 15, November-December i960)

Text for Nothing I,trans. by author, New York: Evergreen Review,no. 9, Summer 1959 From an Abandoned Work,London: Faber Faber, 1957; New York: Evergreen Review,I, 3, 1957 Comment C’Est,Paris: Editions de Minuit, 1961 (trans. by author, How It Is,New York: Grove Press, 1964; London: Calder, 1964); an extract from an earlier version of this novel, ‘L’image’,London: X,no. 1, November 1959 (another extract trans. by author, ‘From an unabandoned work’, New York: Evergreen Review,no.

14, September-October i960)

Imagination Morte Imaginez,Paris: Editions de Minuit, 196J (trans.

by author, Imagination Dead Imagine,London: Calder, 1965) assez,Paris: Editions de Minuit, 1966 bing,Paris: Editions de Minuit, 1966

No's Knife, Collected Shorter Prose 1947–1966,London: Calder Boyars, 1967, contains: Stories, Texts fir Nothing, From an Abandoned Work, Enough, Imagination Dead Imagine, Ping Premier Amour,Paris: Editions de Minuit, 1970 Le Dipeupleur,Paris: Editions de Minuit, 1970 (trans. by author, The Lost Ones,London: Calder Boyars, 1972)

VERSE

Whoroscope,Paris: The Hours Press, 1930 Echo’s Bones,Paris: Europe Press, 1935 ‘ Trois poemes’,Paris: Cahiers des Saisons,no. 2, October 1955 Poems in English,London: Calder, 1961

BIBLIOGRAPHY

Gedichte(bilingual edition of Echo’s Bonesfollowed by other poems in English and French, with German parallel translation), Wiesbaden: Limes, 1959

ESSAYS

Proust,London: Chatto Windus, 1931 (Dolphin series); reprinted New York: Grove Press, n.d.

Proust, Three Dialogues,London: Calder, 1965 ‘Dante … Bruno. Vico … Joyce’, in Our Exagmination round his Factification for Incamination of Work in Progress,Paris: Shakespeare

Co., 1929 Bram van Velde,New York: Grove Press, i960

ON BECKETT

abel, lionel, ‘Joyce the father, Beckett the son’, New York: The New Leader,14 December 1959 BENXLBY, eric, What is Theatre?Boston: Beacon Press, 1956 calder, john (ed.), Beckett at Sixty(essays by 24 contributors), London: Calder Boyars, 1967 COE, richard n., Beckett,Edinburgh and London: Oliver Boyd, 1964 (in the series ‘ Writers and Critics’) cohn, ruby, Samuel Beckett: The Comic Gamut,New Brunswick, N.J.: Rutgers University Press, 1962