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— Back to Beckett,Princeton, N. J.: Princeton University Press,

1973

— (ed.), Samuel Beckett. A Collection of Criticism,New York:

McGraw-Hill, 1975

— Play Beckett,Princeton, N.J.: Princeton University Press,

1979

ellman, richard, James Joyce,New York and London: Oxford University Press, 1959 esslin, martin, ‘Samuel Beckett’, in The Novelist as Philosopher,ed. John Cruickshank, London: Oxford University Press, 1962 esslin, martin (ed.), Samuel Beckett, A Collection of Critical Essays,Englewood Clifis, N.J.: Prentice-Hall, 1965 (in the series ‘Twentieth-Century Views ’) pederman, Raymond, Journey to Chaos, Samuel Beckett’s Early

BIBLIOGRAPHY

Fiction,Berkeley and Los Angeles: University of California Press,

1965

federman, Raymond and FLETCHER, john, Samuel Beckett: His Work and His Critics, An Essay in Bibliography,Berkeley and Los Angeles: University of California Press, 1970 fletcher, john, T "he Novels of Samuel Beckett,London: Cbatto Windus, 1964

— Samuel Beckett’s Art,London: Cbatto Windus, 1967

fletcher, john and SPURLiNG, john, Beckett. A Study of his Plays,London: Eyre Methuen, 1972

FLETCHER, JOHN; FLETCHER, BERYL S.; SMITH, BARRY; ВАСНЕМ,

Walter, A Student’s Guide to the Plays of Samuel Beckett,London: Faber Faber, 1978 friedman, M. j. (ed.), Samuel Beckett,Paris: Minard, 1964 (‘Configuration Critique’ no. 8) gessner, n., Die Unzulanglidikeit der Sprache,Zurich: Juris, 1957 ‘Godot gets around’, New York: Theatre Arts,July 1958 guggenheim, peggy, out of this century, the informal memoirs of peggy guggenheim,New York: the dials press, 1946

— Confessions of an Art Addict,London: Andrd Deutsch, i960

harvey, lawrencb в., Samuel Beckett. Poet and Critic,Princeton, N.J.: Princeton University Press, 1970 hobson, harold, ‘Samuel Beckett, dramatist of the year’, International Theatre Annual,no. 1, London: Calder, 1956 jacobsen, josbphinb and muller, william r., The Testament of Samuel Beckett,New York: Hill Wang, 1964 janvier, ludovic, Pour Samuel Beckett,Paris: Editions de Minuit,

1966

JOYCE, JAMES, Letters(ed. Stuart Gilbert), London: Faber Faber, 1957

KENNER, HUGH, Samuel Beckett, A Critical Study,New York: Grove Press, 1961; London: Calder, 1962

— The Stoic Comedians: Flaubert, Joyce and Beckett,London: W. H.

Allen, 1964

kern, edith, ‘Drama stripped for inaction: Beckett’s Godot’, Yale French Studies,no. 14, Winter 1954-5 levy, alan, ‘The long wait for Godot’, New York: Theatre Arts,August 1956

BIBLIOGRAPHY

мarissel, andre, Beckett,Paris: Editions Universitaires, 1963 mauriac, Claude, La Litthature Contemporaine,Paris: Albin Michel, 1958

melese, pierre, Beckett,Paris: Seghers, 1966 (in the series ‘Thtre de Tous les Temps’) mercier, vivian, BeckettIBeckett,New York: Oxford University Press, 1977

– ‘Messenger of Gloom’ (profile), London: Observer,9 November

1958

metman, eva, ‘Reflections on Samuel Beckett’s plays’, London: Journal of Analytical Psychology,January i960

— San Quentin News,San Quentin, Cal., vol. XVII, no. 24, 28

November 1957

schneider, alan, ‘Waiting for Beckett’, New York: Chelsea Review,Autumn 1958 SCHOELL, konrad, Das Theater Samuel Becketts,Munich: Wilhelm Fink, 1967

scott, nathan a, Samuel Beckett,London: Bowes Bowes, 1^65 (in the series ‘Studies in Modern European Thought and Literature’)

BUZZATI, DINO

Un Caso Clinico, Commedia in 2 tempi e 13 quadri,Milan: Mondadori, 1953 (no. 85 in the series ‘La Medusa degli Italiani’)

Un Verne al Ministero,Turin: II Dramma,no. 283

D’ERRICO, EZIO

La Foresta,Turin: II Dramma,no. 278 1Tempo di Cavalette,Turin: II Dramma,no. 261

II Formicaio,stage ms.

ON d’bHRICO

trilling, ossia, ‘Ezio d’Errico — a new Pirandello?’, London: Theatre World,April 1958

BIBLIOGRAPHY

FRISCH, MAX

Biedemumn und die Brandstifter,Berlin and Frankfurt: Suhrkamp,

1958. This is the stage version, based on an earlier radio play, Herr Biedemumn und die Brandstifier,first broadcast by Bayrischer Rundfunk, Munich, 1953; published Hamburg: Hans Bredow Institut, sixth edition, 1959. (Stage version trans. by Michael Bullock, The Fire Raisers,in Three Plays,London: Methuen, 1962)

ON FRISCH

bXnziger, hans, Frisch und Diirrenmatt,Berne: Francke, i960 ziskoven, Wilhelm, ‘Max Frisch’, in Zur Interpretation des modemen Dramas(ed Rolf Geissler), Frankfurt: Diesterweg, i960 These two exhaustive studies also contain bibliographical data on Frisch’s numerous other plays which do not fall into the category of the Theatre of the Absurd.

GELBER, JACK

The Connection(with Introduction by Kenneth Tynan), New York: Grove Press, i960 The Apple,New York: Grove Press, 1961

GENET, JEAN PLAYS

Haute Surveillance,Paris: Gallimard, 1949 (trans. by B. Frechtman, Deathwatch, in The Maids/Deathwatch,New York: Grove Press, 1954; English edition, Deathwatch,London: Faber Faber, 1961) Les Bonnes,D6cines: L’Arbalfcte, 1948; a new edition, Les Bonnes, Les deux versions pricidies d’une lettre de Г auteur,containing the first version (as performed at the Аёпбе in 1946) and the revised version (as performed at the Theatre de la Huchette in 1954); the second version also reprinted in Les Bonnes-L’Atelier d’Alberto Giacometti,Dines: L’Arbalfete, 1958, further containing ‘L’enfant criminel’